Late October 2019 bopping fortnight’s favorites

Hello, this is the late October 2019 favorites’ selection, and very different things this time.

These are two tracks of the nearest JIMMY MURPHY ever bordered to Rockabilly. A veteran (his 1951 sides on RCA-Victor) of Country bluesy sides, with an appeal to religious ones, like « Electricity ».(RCA 21-0447), and his two-sided November 1955 « Here Kitty Kitty »/ »I’m Looking For A Mustard Patch » (Columbia 21486) sounded (with Onie Wheeler on harmonica) as if they had been recorded in..1945. That was the main problem for Jimmy Murphy, always behind the times. Nevertheless great acoustic guitar and assured,vocal. A must for Rockabilly fans.

Next HANK CADWELL and the Saddle Kings on the West coast D’Oro label (# 103) do come with a Western swing tinged opus, « Alibi » from late ’40s : accordion solo, fiddle solo, lovely assured vocal and chorus.

Then ABE LINK, or A. BLINK (he went under both names) on the Ohio Canton label. « Skeleton Bookie », « and the Western Spotlighters » (S.T.R.C Canton 106) has beautiful steel effects for a Halloween (?) disc, while « Yodelin’ Blues » (Canton 107) is very different. A classic shuffling bopper from 1955. Lot of yodel of course, and a lot less steel.

We jump to 1961 for a male duet. A nice country-rocker by PHIL BEASLEY and CHARLEY BROWN on the Briar (# 111) label, from unknown location. « Good Gosh Gal » has loud drums, and a nice guitar throughout (a fine solo).

On the B.W. label (location unknown), here’s KENNY BIGGS (B.W. 615) for a nice Country-rocker « There’s No Excuse » (early ’60s). One expects in this very melodic tune some chorus (very unobstrusive if ever present).

Col. Tom Parker paid the Norfolk, Va. and Jacksonville, Fl. radio stations not to play PHIL GRAY’s disc on Rhythm 101, and even gathered the copies to destroy from a too Elvisy (Sun style) Rockabilly. He even had done to prevent Gene Vincent to be unplayed in vain. Gray was 15 years old when he cut « Pepper Hot Baby » and « Bluest Boy In Town ». Great guitar, Elvis-style hiccups (the song is like « Baby Let’s Play House »), a real success. This disc is so rare that a copy, when it comes on auction, may get as high as $ 3000 !

Finally a romper with AMOS MILBURN and his great rendition of the Don Raye’s classic, « Down The Road Apiece » (Aladdin 161, 1946-47). Great vocal, fabulous boogie piano.

Sources : YouTube ; 45cat, 78worlds, various compilations, W. Agenant « Columbia 20000 » serie, Gripsweat (A. Blink)

Early April 2015 fortnight’s favorites

En route for this new April batch of Hillbillies and Country rockers. First from Louisiana, the fiddler LARRY BAMBERG (rn Bamburg) does the fine relaxed medium bopper « Cheating on me » from 1956 on the Mira Lewis’ Shreveport, La. Ram (Royal American Music) label # 104. It has a very young James Burton, quite unusually, on the steel guitar and Leon Smith at the piano. Bamberg, whose name was not easy to pronounce, changed it to Lincoln for the bluesy (with sax) equally fine « My baby went away », cut at Ram, but issued on his own Fido 011 label (not posted here).

LarryBRomonaKerry

 

ram  bamberg cheating

Cheating on me

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Next three tracks do come from Laeger W.Va. (at least the label) as late as 1969 by the one FLOYD FLETCHER on the F.A.F. label. « Daddy sings the blues » (# 26252) is a fast bluesy track with urgent vocal. « Move on down the track » does fetch to Rockabilly, while its flipside « You’re telling me goodby » [sic] is more in a sort of garage Honky-tonk vein (# 26282).

f.a.f. fletcher daddy Daddy sings the blues

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Move on down the track

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F.A.F.  fletcher move

f.a.f.  fletcher  goodby
You’re telling me goodby

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RILEY WALKER next is no newcomer, as his « Uranium miner’s boogie » from 1955 is already a minor Hillbilly bop classic from Salt Lake City, Utah. See elsewhere in this site at the entry of his name. « It’s a little late (to come knocking on my door » goes by the same vein : a relaxed rural vocal, a nice steel throughout and a romping piano (# 703).

It’s a little late

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atomic  walker i late

Next and last tracks of this fortnight do come from the B-W label, presumably a Nashville one, in 1961. PHIL BEASLEY and « Itchin’ to love you » (# 624) : a nice crisp guitar over a decent country rocker. KENNY BIGGS and « There’s no excuse » (# 615) has a mellow steel, an harmonica and some chorus and sounds a bit poppish.
Itchin’ to love you

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There’s no excuse

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b-w biggs excuse

That’s all for this time, folks. Comments as usual are welcome.