Howdy folks ! This fortnight is the penultimate of Winter and includes real goodies and rarities.
Arvis McRae – The Texas Keys
First artist in question hailed from the East of Texas, and recorded for the Texarcana label Ranger. ARVIS Mc RAE released at an unknown date (altough stylistic evidence and the absence of drums do lean towards mi-’50s) one brillant « Me And My Love » (Ranger 823). A fine bopper, solid vocal, a demented fiddle and a short but good rockabilly guitar, all these combine for a fabulous tune. By contrast, McRae’s version of Hank Williams’ « Long Gone Lonesome Blues » (Ranger 2074) sounds average, only one clip (1’54) being preserved.
Me And My Love
Long Gone Lonesome Blues
Go Away From My Door
Bobby Lord took the song note-for-note, and copied even growls and hollers from Jackson (who fooled Blues afficinados thinking he was a Black artist). Jackson’s original was a fast number, sounded very rural, gravely voice and acoustc guitars. So Lord recognized his debt : if copying is the best tribute one can pay, so Lord offered the best one coud ask for : « No More – No More – No More!» (Columbia 21339 issued December 1954).
BOBBY LORD was a newcomer when he was signed by Columbia late 1954. He came from the Tampa, Flo . area, and brought a song he had learnt from another Floridian, Andy Boyett ; Originally the song was titled « Colored Boy Blues », then changed to « Go Way From My Door » when recorded by Boyett on Mercury 8127 in 1949 as Monroe ‘Moe’ Jackson.
No More No More No More
Shake This Town
Out of Kingstone, Indiana comes the next artist, LAWSON RUDD. His only delivery on disc was « Shake This Town » . Lazy vocal, unobstrusive chorus. A good mid-paced bopper on Harvest 709 from 1960, valued $ 100-150. His second issue, « Old Love Letters » has only a soundfile. A slow opus, weeping vocal and great fiddle. Label scan untraced.
Old Love Letters
Paul Howard & his Arkansas Cotton Pickers
« Texas Boogie » by PAUL HOWARD & his Arkansas Cotton Pickers is indeed a great piano pounding tune with a Western feel to it, and a long fiddle solo, to be found on King 779 (April 1949). Vocal part was done by Red Perkins (see in this site his story).
This track has apparently nothing to do with the song of Gene O’Quin (Capitol 1708, from 1951): different composers.
Clay Allen & the Cimarron Boys
CLAY ALLEN & the Cimarron Boys cut on Decca first (# 46324 in 1951): an uptempo shuffle, a discreet fiddle and a bit steel backing Allen well to the fore in « Evalina ». Eight years later as part of the duet « The Country Dudes », he appeared on the Azalea (# 112)
label out of Houston for « Have A Ball » . A solid country rocker, with staccato guitar and implacable loud drums.
Have A Ball
SALLY LEE next does deliver on Royaty 304 a fine bopper, the rollicking « Table Hoppin’ Blues » : very solid piano, an assured vocal – a reat discovery for you !
Table Hoppin' Blues
We come to an end with « (Looks Like) Our Hearts Are Out Of Tune » on R 515 from 1961 by LARRY GOOD ; A pretty melody for a good number. A welcome steel all throughout the song.
Our Hearts Are Out Of Tune
Sources: Gripsweat for Arvis McRae’s clip; Ultra Rare Rockabillies for Lawson Rudd; King Project for Paul Howard; YouTube for Clay Allen; Bopping’ Hillbilly 10 fr Sally Lee; my own archives for Larry Good among others.