Red Garrett is another classic Hillbilly singer of the golden 50s who missed the boat to fame. Not only his own personality was excellent, he was also a fantastic impersonator which he proves in “They Got Me Singing That Way”. He also copies Hank Williams in “May You Never Be Alone” to insert his tribute recitation of “A Bed Of Roses”. At first listen you think it is an alternative take of the ole master because the original Drifting Cowboy Don Helms was employed on the steel guitar. Also Bud Isaacs
(Notes from « The complete Red Garrett » Cattle 331)
Red Garrett was born in Barston, Tennessee. He developed a fondness for the music with a country flavor early in his life. Later, he formed a band called the “Tennessee Pioneers”. He started his singing career in 1945. A late 1953 magazine article, Cowboy Songs magazine included him as one of the “Stars On the Horizon”. It also indicated he was working broadcasts back in Vincennes and Princeton, Indiana. In 1951, folks from the WSM Grand Ole Opry in Nashville had heard of him and sent for him. By 1953, he was still a member of the Opry. During his time with the Opry, he appeared on the same billing with such stars as Cowboy Copas, Eddy Arnold, Elton Britt, Slim Whitman and Webb Pierce among others.
Around that same time, he signed a recording contract with RCA Victor. His first release for them was “Blame It On The Moonlight” b/w “Don’t Be Ashamed of Your Past”(47-5242, issued March 26, 1953).
But, shortly after that it seems, another article mentioned he had disappeared from the music scene, but by about 1955, he had come back to performing.
In 1956, he had a record out on the Decca label entitled, “May You Never Be Alone – and A Bed of Roses”. The song was a tribute to Hank Williams – it was said he actually imitated Hank when he sang the tune “May You Never Be Alone” but in the middle of the tune, he does a recitation, “and a Bed of Roses”. The article that mentioned this tune also told us that the flip side, “Clear Sailing” was “weak.”
(Red Garrett: an appreciation – by bopping’s editor)
To be frank, I’ve not taken a great pleasure listening to Garrett’s music. The vast majority of his output is the same in a review of rhythm: medium paced uptempos. No track us some apart from the others, except for two Louisiana inspired tunes (with a rhumba beat): “Papa Joe’s Place” and “Please”. The rest is quite ordinary, in truth typical Nashville honky-tonk or the 1950’s. This perhaps explains why his recording career was so short.
It appears he also did some songwriting, too as we found he co-wrote a tune with Boudleaux Bryant called “Moon Tan”. We found a hint as to the type of artist he was for they wrote in the article, “..never refused to play in a town just because it was small and lacked celebrities to take notice of him.”
Sources: Cattle and HillbillyBoogie YouTube chain for biog. details. Sounfiles from Hillbilly Researcher # 67, entirely devoted to Red Garrett (his complete output); labels from 45cat or 78world.
Discography (from Praguefrank)
RCA Victor (1953)
47-5242 Blame It On Moonlight / Don’t Be Shamed Of Your Past – 26-03-53
47-5363 They Got Me Singin’ That Way / Please – 07-53
47-5499 Moon Tan / Smoke Screen – 11-53
47-5621 Too Late To Plow Now / Bullseye – 01-54
47-5692 That’s Why I’m Happy / You Played Taps To My Heart – 04-54
47-5783 Tell Me Again / Long Gone – 07-54
9-29742 Papa Joe’s Place / Standing At The End Of The World – 11-55
9-29811 Don’t Believe A Thing I Say / My Search On Earth Is O’er – 01-56
9-30047 Clear Sailing / May You Never Be Alone;A Bed Of Roses – 09-56