Howdy y’all, folks. A little bit late, back from holidays. Here is my new choice of favorites. As usual, a selection of tunes of the great era.
HARRY HANSON on the Louisiana Empire label (# 795, a Starday custom) with « Just remember » from 1959. Fine primitive hillbilly bop which could well have been cut 3 or 4 years earlier.
Harry Hanson, « Just remember »
Cal Davis, « Partnership love affair » http://www.bopping.org/wp-content/uploads/2014/03/fortune-185-Cal-Davis-Partnership-Love-Affair-1956.mp3download
From Detroit on Fortune 185, CAL DAVIS and rockabilly « Partnership love affair« , complete with steel and guitar.
Two sides by the very good EUEL HALL from Texas, on the Towne House label (# 11). Lazy vocal, assuring guitar for « Blue feeling » and « Stand in line« . Cross between hillbilly bop and rockabilly.
Euel Hall « Stand in line » http://www.bopping.org/wp-content/uploads/2014/03/towne-house-11-Euel-Hall-Stand-In-Line.mp3download
Euel Hall, « Blue feeling » http://www.bopping.org/wp-content/uploads/2014/03/towne-house-11-Euel-Hall-Blue-Feeling.mp3download
BILLY BARNETT now and the minor classic « Tired of your honky tonk love » on the Phoenix Tex label (# 105). Fine guitar.
And finally, a fast bluegrass bopper by KEN CLARK, « Big man » on Starday 495 from 1960. Great banjo and mandolin backing. Ken Clark was also on the Nashville label (see elsewhere in the site).
Billy Barnett « Tired of your honky tonk love » http://www.bopping.org/wp-content/uploads/2014/03/Tex-105B-Billy-Barnett-Tired-Of-Your-Honky-Tonk-Love-www.keepvid.com_.mp3download
Ken Clark, « Big man » http://www.bopping.org/wp-content/uploads/2014/03/starday-495-Ken-Clark-Big-Man-www.keepvid.com_.mp3download
Howdy folks. Excuse me, a little bit late…
First on the D label (#1034), the very Hollyish « Sady » by DOUG STANFORD. Very nice Rockabilly guitar and vocal hiccups. A medium bluesy « Separate ration blues » by BILL FREEMAN (later on All-star)(vocal « Buddy » Young): good piano, sax and fiddle.
Hillbilly boogie with AL WINKLER for « Show boat boogie » on the Winkler label # 45-88 . Boogie guitar, mandolin, and call-and-response format.
Doug Stanford, « Sady »http://www.bopping.org/wp-content/uploads/2014/01/D-1034A-Doug-Stanford-Sady-.mp3download
Bill Freeman (Bddy Young) « Separate ration blues » http://www.bopping.org/wp-content/uploads/2014/01/TEXTALENT-Bill-Freeman-separate-ration-blues.mp3download
Al Winkler, « Show boat boogie » http://www.bopping.org/wp-content/uploads/2014/01/winkler-88-Al-Winkler-The-Warren-Country-Band-Showboat-Boogie.mp3download
From Indiana, a fast blegrass, « A use to be » by BRYANT WILSON on Adair 620. A nice atmospheric (steel led) « Stoney mountain » by BOBBY BROWN on Backwater 945.
And finally CHUCK GODDARD on the famous Georgia Trepur label (# 1005) with the piano-led « The moon won’t tell« .
Bryant Wilson « A use to be » http://www.bopping.org/wp-content/uploads/2014/01/adair-620-Bryant-Wilson-and-the-Kentucky-Rambler-A-Used-To-Be-.mp3download
Bobby Brown « Stoney mountain » http://www.bopping.org/wp-content/uploads/2014/01/blackwater-945-Bobby-Brown-And-The-Country-Music-Makers-Stoney-Mountain-Where-I-Lost-My-Love.mp3download
Chuck Goddard « The moon won’t tell » http://www.bopping.org/wp-content/uploads/2014/01/TREPUR-1005-Chuck-Goddard-The-Moon-Wont-Tell-...-58-Hillbilly-Bop.mp3download
There will be next fortnight in early March only.
Hu-se-co was founded by Odell Johnson in Hobart, Oklahoma. The label apparently lasted from late 1956 to early 1958, and the main issues were issued in 1957. No label listing does exist, so I don’t know if my presentation is complete, as Hu-se-co was a pretty small label for the time being.
First record was cut in Autumn 1956 by DERAL CLOUR and Charley Drake and coupled the very fine primitive Hillbilly bopper/Rockabilly « Sundown (boogie) » with the ballad « Winter (in my heart) ». Clour has said in an interview published by the RockaBilly HOF that the record was cut at Gene Sullivan’s studio on Capitol Hill in Hobart. Deral Clour was to appear at Ernest Tubb’s in Nashville in 1959.
Deral Clour & Charley Drake
Deral Clour and Charley Drake « Sundown (boogie) » http://www.bopping.org/wp-content/uploads/2014/01/Deral-Clour-And-Charley-Drake-Sundown-Boogie.mp3download
Deral Clour and Charley Drake, « Winter (in my heart) » http://www.bopping.org/wp-content/uploads/2014/01/Deral-Clour-And-Charley-Drake-Winter-In-My-Heart.mp3download
Then in 1957, three singles of equal musical value. Most important is the rollicking/jumping//western sides by DOYLE MADDEN, backed by Merl Lindsay‘s Oklahoma Nightriders, « Gonna learn to rock » and « Tonights the night for love » (1-757), both written by Lindsay and one Vonnie Mack. The latter (rn Yvonne deVaney) was at one time Yvonne O’Day on Capitol, then in 1956 Vonnie Mack in 1956 on Columbia, where she turned more or less pop. Later she fronted vocally Merl Lindsay’s band.
Doyle Madden « Gonna learn to rock » http://www.bopping.org/wp-content/uploads/2014/01/hu-se-co-757-1BDoyle-Madden-Gonna-Learn-To-Rock.mp3download
Doyle Madden, « Tonights the night for love » http://www.bopping.org/wp-content/uploads/2014/01/hu-se-co-757A-Doyle-Madden-Tonights-The-Night-For-Love.mp3download
Second record backed by Merl Lindsay’s Oklahoma Night Riders is by JIM RAY: average ’50s country/honky tonk, main instruments being fiddles and steel. « A little too late » and « My heart belong to you » are on (# A-557).
Jim Ray, « My heart belongs to you » http://www.bopping.org/wp-content/uploads/2014/01/hu-se-co-557-Jim-Ray-My-Heart-Belongs-To-You.mp3download
Jim Ray, « A little too late » http://www.bopping.org/wp-content/uploads/2014/01/hu-se-co-557-Jim-Ray-A-Little-Too-Late.mp3download
The third 1957 issue (if the « 57 » sequence has some sense) is a very nice country rocker by FLOYD ANDREWS, « Buy myself a rubber doll » (3-757), with strong guitar and steel to the fore. Floyd Andrews, « Buy myself a rubber doll » http://www.bopping.org/wp-content/uploads/2014/01/hu-se-co-757-Floyd-Andrews-Buy-Myself-A-Rubber-Doll-1957.mp3download
One issue by COWBOY (Charlie) HUFF escaped to my antennas, « Swingin’ alone tonite/Tulsa town waltz » (757). It’s the same man who had records in the Starday custom serie (»No two timin’ me »).
Cowboy Huff « No two timing’ me » http://www.bopping.org/wp-content/uploads/2014/01/45-616a-Cowboy-Huff-No-Two-Timin-Me-huff-02-57.mp3download
And we nearly reached to the end of label with the 1958 issue by BILL & BINK ( with drummer Dwight), whose two-sided « Bed bug boogie/Do and don’t blues » (1358) could be described as primitive bluesy hillbilly/rockabilly.
Bill & Bink, « Bed bug boogie » http://www.bopping.org/wp-content/uploads/2014/01/Bill-Bink-Bed-Bug-Boogie-Rockabilly-45.mp3download « Do and don’t blues » http://www.bopping.org/wp-content/uploads/2014/01/Bill-Bink-Do-And-Dont-Blues-Rockabilly-45.mp3download
The indefatigable and faithful DRUNKENHOBO has found three more HU-SE-CO records! Thanks Dean.
A Bluegrass rockabilly flavored « If you’re after my heart » by the group RAMBLIN RASCALS on Hu-se-co. Flipside unheard « We both love the same girl ».
Ramblin Rascals « If you’re after my heart » http://www.bopping.org/wp-content/uploads/2014/01/The-Ramblin-Rascals-If-Youre-After-My-Heart-Rockabilly-45.mp3download
Then WESLEY (Sleepy) MOORE and « Old mother Nature » (Hu-se-co 1257)(flip side « If you’d say you care ».
Wesley Moore « Old mother Nature » http://www.bopping.org/wp-content/uploads/2014/01/HU-SE-CO-1057-Wesley-Sleepy-Moore-Old-Mother-Nature-...-56-Hillbilly-Bop.mp3download
Dean finally mentions a third disc by HURSHUL CLOTHIER, which proves untraceable. Clothier was an Oklahoma ace fiddler, backed by the Oklhahoma Travelers (founded 1953), who had « Will you please » on Hu-se-co 2-757.
Earl Aycock was born in 1930 in Meridian, the hometown of the « Father of Country Music » Jimmie Rodgers . He started his career as a disc jockey, before that he joined the U.S. Air Force in 1951 and he played in Bill Nettles’ band as bassist. With Nettles he made also his first recordings , when he was cast on the famous « Hadacol Boogie » .
After Aycock was released from the Air Force, he returned to Meridian. In 1954, he played with Martha Carson in Birmingham, Alabama. Shortly after been received quickly found in Nashville, Tennessee, back where he accompanied Carson at sessions for Capitol Records and RCA Victor,he appeared with her at the Grand Ole Opry and toured with Bill Carlisle, Hank Snow and Elvis Presley and took over the function of emcee . Aycock was the first musician in the Opry in 1955 with an electrically amplified bass.
In Martha Carson’s band , another young musician played named George McCormick . Soon Aycock became friends with McCormick and the two formed the duo George and Earl . By 1956, both musicians took on for three Mercury Records singles but none of them were hits , despite promising sales figures. After the release of their last record in April 1956 Aycock left Nashville and moved his work to Houston, Texas, where he was drawn in 1955 with his wife.
In Houston, he had received a lucrative offer and was active as the frontman of his own band as well as a disc jockey. In 1957, he also worked for Starday Records’ Hillbilly Hit Parade for a number of uncredited sides. In the spring of 1958 he appeared at Allstar Records with his first solo single « The Love That Thrills / Magic Words » . By the end of the 1950s he brought Bill Will Bourne to D Records and also wrote for Claude Gray « Letter Overdue » . 1958 Aycock moved back to Meridian , worked until 1959 and still when KRCT in Baytown , Texas.
In Meridian Aycock worked in the 1960s, continued in radio and television before he left the music scene and went into the insurance business.
From Wikipedia with some corrections and additions. Thanks to Tony Biggs.
« I want you, I need you, I love you » (Dixie 508), uncredited) http://www.bopping.org/wp-content/uploads/2014/01/Earl-Aycock-I-Want-You-I-Need-You-I-Love-You-Dixie-508.mp3download
« Turn her down » (Dixie 516, uncredited) http://www.bopping.org/wp-content/uploads/2014/01/Earl-Aycock-Turn-Her-Down-Dixie-516.mp3download
« The same two lips » (Dixie 519, uncredited) http://www.bopping.org/wp-content/uploads/2014/01/earl-aycock-The-Same-Two-Lips-Dixie-519.mp3download
« I‘m coming home » (Dixie 520, uncredited) http://www.bopping.org/wp-content/uploads/2014/01/Earl-Aycock-Im-Coming-Home-dixie-520.mp3download
« The love that thrills » (Allstar) http://www.bopping.org/wp-content/uploads/2014/01/allstar-7164-aycock_earl_thelovethatthrills1.mp3download
Howdy folks! This is the second serie of favorites for the new Year. All selections do come from the eastern parts of U.S, except one from Indiana.
From Mobile, Alabama, WADE JERNIGAN offers the first titles on the Sandy (# 1010) label. Medium hillbilly bop, steel and fiddle for « Road of love« . Flip « So tired » is more intimate.
Wade Jernigan « Road of love » http://www.bopping.org/wp-content/uploads/2014/01/Road-Of-Love.mp3download
Wade Jernigan « So tired » http://www.bopping.org/wp-content/uploads/2014/01/So-Tired.mp3download
From New York on the Mell label (same as Howie Stang‘s) (# 121) by one MOREY DUBOIS. « If you can spare the time » is obviously inspired by 1950 Lefty Frizzell hit, bit it’s Rockabilly from 1959. From Hammond, Indiana, we find BILLY REED and « Honky-tonk mama » a fine medium hillbilly bopper full of steel and fiddle. Topical lyrics. Campfire 45-33.
Morey Dubois, « If you can spare the time » http://www.bopping.org/wp-content/uploads/2014/01/mell-Morey-Dubois-If-You-Can-Spare-The-Time-MELL-121.mp3download
Billy Reed « Honky-tonk mama » http://www.bopping.org/wp-content/uploads/2014/01/campfire-45-33-Billy-Reed-Honky-tonk-mama.mp3download
LES TUCKER offers « Wrong kinda lovin » , a fast call and response format cross between hillbilly bop and rockabilly from late 1958, on the St Paul, Minnesota HEP label 2144.
On one of the many Dixie labels, one religious Hillbilly bop, « Crossing river Jordan » by HARMON R. WILLIS (# 123) and the Willis Family. Nice guitar. Sounds an accordion in the background?
Finally a curiosity. SHORTY LONG and BOB NEWMAN team up in 1955 on the « X » label for a train song, « Roll Rattler, roll« .(#0045)
Les Tucker « Wrong kinda lovin’ http://www.bopping.org/wp-content/uploads/2014/01/hep-2144-Les-Tucker-Wrong-Kinda-Lovin.mp3download
Harmon R. Willis « Crossing river Jordan » http://www.bopping.org/wp-content/uploads/2014/01/Harmon-R.-Willis-The-Willis-Family-Crossing-River-Jordan-Hillbilly-Gospel-45.mp3download
Dalton Boys « Roll, Rattler, roll » http://www.bopping.org/wp-content/uploads/2014/01/X-0045-The-Dalton-Boys-Roll-Rattler-Roll.mp3download
Several stories of artists are on their way. I’m still lacking biographical info on ART GIBSON, SHORTY LONG, HAPPY FATS LEROY.
Howdy folks! First my seasonal greetings: the best Hillbilly bopping music for a happy new Year.
We begin this 2014 year with a rockabilly (stops-and-god) by NORIS MIMS and his energetic « Sweet sweet baby » on Arlington, alas very short. A nice guitar and a short piano solo to the fade-out end. TED NEWTON is less unknown. He’d been recording on the Bellwood label out of Richmond, VA, « Save me the label« , a cross between rockabilly and hillbilly bop. Short guitar solo (lots of echo in there).
Noris Mims, « Sweet sweet baby » http://www.bopping.org/wp-content/uploads/2013/12/arlington-101B-Norris-Mims-réduit-Sweet-Sweet-Baby.mp3download
Ted Newton, « Save me the label » http://www.bopping.org/wp-content/uploads/2013/12/bellwood-Ted-Newton-Save-Me-The-Label.mp3download
Then two tracks on the Cross-Country (#523/524) label, from « I don’t know where » by a HANK TROTTER. Perhaps he’s playing fiddle, as this is the dominant instrument for two ballads: « Because-because » (he’s doubled on vocal by a certain Billy (The Kid), and « I threw away a diamond ». Nice work.
Hank Trotter, « Because, because » http://www.bopping.org/wp-content/uploads/2013/12/Because-Because-because-I-love-yo.mp3download
Hank Trotter, « I threw away a diamond » http://www.bopping.org/wp-content/uploads/2013/12/I-Threw-Away-A-Diamond.mp3download
Same record on 78rpm(thanks to Ronald Keppner)
A call and response format for the following track, « Hot rod boogie » by HOWARD W. BRADY on a NJ Flagship label. Very good hillbilly boogie.
Howard W. Brady, « Hot rod boogie » http://www.bopping.org/wp-content/uploads/2013/12/flagship-914-5B-Howard-W.-Brady-Hot-Rod-Boogie.mp3download
Finally simply the Tommy Dorsey‘s classic « Boogie-woogie » of 1938, revived in 1948 by none other than AMOS MILBURN on Aladdin 3105.
Amos Milburn, « Boogie-woogie » http://www.bopping.org/wp-content/uploads/2013/12/B2.Boogie-woogie-L-248.mp3download
Howdy folks, here’s the new batch of Bopping goodies early this month.
From Arkansas, a state not already known for its music. Nevertheless one can find with Internet some very nice records. I knew HERSHEL PARKER for years (through a Tom Sims’ cassette) and his « Hey-Pa » on the Fort Smith, Arkansas, Pla-an-tak (# 510-25) label. Very solid Country bop from the early ’60s. He also had on the Fort Smith UBC label (# 1023) the fine double-sided (one side uptempo, the other a great ballad) « Can’t go home tonight » (very sensitive ballad with fiddle and steel solos) backed with the upt. « I can’t forget« . I couldn’t find a picture n the net but the music only. All sides from early ’60s. UBC also issued Bob Calloway‘s fine Rocker « Wake up, little boy blue » in 1960. See arkansas45s.blogspot.com for information on Arkansas labels.
Hershel Parker « Hey-Pa » http://www.bopping.org/wp-content/uploads/2013/11/pla-an-tak-510-25-Hershel-Parker-Hey-pa.mp3download
« Can’t go home tonight » http://www.bopping.org/wp-content/uploads/2013/11/UBC-1023-Herschel-Parker-Cant-Go-Home-Tonight.mp3download
Hershel Parker I can’t forget » http://www.bopping.org/wp-content/uploads/2013/11/UBC-1023-Herschel-Parker-I-Cant-Forget.mp3download
« I can’t forget »[aud
Seemingly a Tennessean, HOMER MONROE cut in Chattanooga, TN, the nice "Headin' on down the line" on the Spann label (#1764). We find him once more - same piano to the fore, so he's presumably playing it - on an Alabama Silvia label from Silvania for "It's many a mile from me to you" (# 1161), Country Drifters backing him. Judging by the sound, I'd assume both records being from the late '50s.
Homer Monroe "Headin on down the line" http://www.bopping.org/wp-content/uploads/2013/11/Spann-443B-Homer-Monroe-Headin-on-down-the-line.mp3download
Homer Monroe « It’s many a mile from me to you » http://www.bopping.org/wp-content/uploads/2013/11/silvia-1161B-Homer-Monroe-And-The-Country-Drifters-Its-Many-A-Mile-From-Me-To-you1.mp3download
On the Linda label – there has been a few by the same name: « Country Music From Midway USA » – REBEL WRIGHT offers « I’m a long gone daddy » (not the Hank Williams’ song) (# 002B) and finally from « the heart of Dixie » on the Bama label (# 00001B) (not THE Bama label for Hardrock Gunter‘s « Birmingham Bounce » from 1951) by LEFTY PRITCHETT and the Country Kats, « Just an ole has been« . Enjoy the selections, bye! Next fortnight early January 2014. Have a Boppin’ Xmas and a happy Hillbilly New Year!
Rebel Wright « I’m a long gone daddy » http://www.bopping.org/wp-content/uploads/2013/11/linda-45-002B-Rebel-Wright-Im-A-Long-Gone-Daddy.mp3download
Lefty Pritchett « Just an ole has been » http://www.bopping.org/wp-content/uploads/2013/11/Lefty-Pritchett-His-Country-Cats-Just-An-Ole-Has-Been-19601.mp3download
Sourve: primarily Internet.
Never read such a poorly informed biography as this, taken from the back of the Hank the Drifter Crypto album. Alas, I cannot add anything to it, and the music will speak for itself.
HANK THE DRIFTER (real name Daniel Raye Andrade) was born September 2, 1929, 72 Plain Street, Taunton, Massachussetts. As a small boy he loved country and wetsern music and he was given a small guitar to learn on by his now deceased Dad. Soon he was playing and singing up a storm and people everywhere loved his true country songs and the feeling he put into every song. Songs came pouring out of Dan and he wrote songs on every inspired moment.
Many who have puchased his records say it is like Hank Williams back from the grave. In this album you will hear the songs which Daniel Andrade, « Hank the Drifter » composed, during inspired moments. Many have called Daniel Andrade, « Hank The Drifter », the greatest living song writer and country singer in the country and western field.
Dan Andrade thrilled many, with his double tribute (on New England release n° 1012), « Hank Williams is singing again » backed with « Hank, you’re gone but not forgotten », dedicated to the memory of Dan Andrade’s idol, the late great Hank Williams, considered by many to be the gteatest living song writer in the world, and the greatest living singer as well.
Hank the Drifter, « Hank Williams is singing again » http://www.bopping.org/wp-content/uploads/2013/11/Hank-Is-Singin-Again-Hank-The-Drifter.mp3download
Hank the Drifter, « Hank, you’re gone but not forgotten » http://www.bopping.org/wp-content/uploads/2013/11/01-Hank-Youre-Gone-But-Not-Forgotten.mp3download
This is Dan Andrade’s first country and western album recorded at Gold Star Recording Studio – Houston, Texas. At this writing Dan Andrade is hard at work on a second album which will feature 12 more songs composed by Daniel Andrade. This 2nd album will feature his Martin guitar used on his first album. The Martin guitar is one of the two models the Martin Company made, of which two were made a year, Hank Williams puchased one and Hank The Drifter the other, both guitars are identical.
Hank the Drifter, « It is honky tonk music » http://www.bopping.org/wp-content/uploads/2013/11/A2-It-Is-Honky-Tonk-Music.mp3<a ref= »http://www.bopping.org/wp-content/uploads/2013/11/A2-It-Is-Honky-Tonk-Music.mp3″ target= »_blank »>download
On January 1, 1968, Music City News, the leading trade magazine in the Country and <Western music field, did a full page story with pictures of Daniel Andrade. He resides in a lovely $ 20,000.00 home at 12606 Carlsbad, Houston, Texas.
Hank the Drifter, « I’m gonna spin my wheels » http://www.bopping.org/wp-content/uploads/2013/11/B6-Im-Gonna-Spin-My-Wheels.mp3download
Hank the Drifter was chosen January 1, 1963, in « Who’s Who, Inc. » on the merits of his song writing, singing and other accomplishments. This honor is bestowed on fifteen in each ten thousand of the country’s population who come under selective standards. Country Song Roundup and « Billboard », trade magazines, have featured Hank.
Sparton and Quality Records of Toronto, Canada, have featured many of Dan Andrade’s 45′s, namely « Cheaters never win », « Don’t you lock your daddy out », « I’m crying my heart out for you », « Cold river blues » and « Painted doll », etc. all sung and written by Daniel Andrade.
Hank the Drifter, « Cheaters never win » http://www.bopping.org/wp-content/uploads/2013/11/21-Cheaters-Never-Win.mp3download
Hank the Drifter, « Don’t you lock my daddy out » http://www.bopping.org/wp-content/uploads/2013/11/19-Dont-You-Lock-Your-Daddy-Out.mp3download
Hank the Drifter, « Cold river blues » http://www.bopping.org/wp-content/uploads/2013/11/22-Cold-River-Blues.mp3download
Hank the Drifter, « Painted doll » http://www.bopping.org/wp-content/uploads/2013/11/Painted-Doll-Hank-The-Drifter.mp3download
« God writes all my songs and being blessed with a lovely wife, Odessa Andrade ; what more could a man ask in life », says Dan. The gifted Dan Andrade has appeared on WPEP, Taunton, Massachusetts with his own show ; on WNBH radio, New Bedford, Massachusetts on the New Bedford Times weekly. He has appeared on KTRH and KNUZ radio stations, plus Big « D » Jamboree, Dallas, Texas, « Cowtown Hoedown », Fort Worth, Texas – « Gulf Coast Jamboree » Television – « Houston Hoedown », Houston, Texas and such.
« Hank The Drifter » records are in numerous libraries on radio stations in the United States, Canada and overseas. Hank says, « I’m very homely, I know, but, look for the inner beauty and we are all pretty people ». My sincere appreciation to Fred Voelker and daughter, Sonya, of Houston, Texas, two fine musicians whom without their help, this album could not have been possible.
Andrade had his first record way back in 1955, as HANK THE DRIFTER: « Hank Williams is singing again » on his own label New England; in 1956, as « Joe Lombardie and the Cats« , he cut « Let’s all rock’n'roll« , then again the same year, as Hank the Drifter, « The Bill Collector’s blues« . 1957, a further more issue, « Don’t you lock your daddy out ».
Joe Lombardie & the Cats, « Let’s all rock’n'roll » http://www.bopping.org/wp-content/uploads/2013/11/Joe-Lombardie-Lets-All-Rock-And-Roll-.mp3download
Hank the Drifter, « The Bill Collector’s blues » http://www.bopping.org/wp-content/uploads/2013/11/B5-The-Bill-Collectors-Blues.mp3<a ref= »http://www.bopping.org/wp-content/uploads/2013/11/B5-The-Bill-Collectors-Blues.mp3″ target= »_blank »>download
In 1961, after several years, he revived his label and nom de plume, and reissued masters of the ’50s era. Between March 1961 and 1964, he had this way 9 New England records.
The Burdette Land label out of Richmond, KY, must have been one of the scarcest to the day: it issued only two discs in 1960, although one was even reviewed (Pratt Bros.) in the August 29th, 1960 C&W edition of Billboard. So the promotion has surely have been correctly made, since NYC critics did get the record.
First issue was by HUBERT BARNARD (# 3000-1/2-A/B) and coupled one country side, « The man of the road » (partly written by Burdette Land), an unheard tune, and a more interesting side, « Boy She has gone« , rockabilly/rocker, which even found its way on a European compilation (« Hillbilly jukebox »).
Hubert Barnard, « Boy she has gone » http://www.bopping.org/wp-content/uploads/2013/11/17-Hubert-Barnard-Boy-She-Has-Gone.mp3download
Second and last issue for the label was by the PRATT BROS. apparently Eugene (writer of both sides) and vocalist Vernis, backed for the rockabilly side by « The Rocking 5″. I didn’t hear « Go find your love« , apparently a rocker, thus « The wind told me so » was average rural rockabilly. Hear them. And that was it. A really short affair in time.
Pratt Bros. & the Rocking 5, « The wind told me so » http://www.bopping.org/wp-content/uploads/2013/11/burdette-30002-Pratt-Brothers-The-Wind-told-Me-So-Rockabilly.mp3download
Source: 45rpm.com, the Dan DeClark site for Ohio Valley records. Also RCS.
Billboard April 28, 1951
Very little is known about Bobby Soots, except what is contained in a Tampa newspaper snippet dated Nov. 2, 1950. He was born in Alabama during the ’20s, took up the guitar when he was twelve and had his first band, the Red Wagon Boys, entertaining a local radio show in 1938. He then moved to Chicago to sing Hillbilly in the clubs, when the famous jazz drummer and bandleader Gene Krupa noticed and hired him as featured vocalist. Soots had a strong baritone voice, and Krupa used him on New York sessions for C&W tunes like Pee Wee King‘s « Bonaparte’s retreat » (June 1950), « Panhandle rag », « At the jazz band ball » or « Walking with the blues », to name just a few classic Krupa jazz sides.
A year later, free from his contract with Gene Krupa, Bobby Soots went solo for two sessions for Mercury records, apparently cut in Chicago. Eight tracks were recorded circa February/March 1951, whose only four were released, leaving unissued a promising « Fiddle boogie ». Among the issued tunes were Amos Milburn’s « Bad, bad whiskey » (Mercury 6326), and most of all, the immortal « (Help me lose the) Boogie woogie blues » (great steel solo!), often reissued (Mercury 6331). B-sides are less interesting, « I’m crying » and «Have you forgotten my name ». Soots did not write his own material. After these two issues, one loses his trail, and he seems to have disappeared afterwards.
Gene Krupa (Bobby Soots, vocalist) « At the jazz band ball » http://www.bopping.org/wp-content/uploads/2013/11/Gene-Krupa-At-the-Jazz-Band-Ball.mp3 download
Gene Krupa (Bobby Soots, vocalist) « Walking with the blues » http://www.bopping.org/wp-content/uploads/2013/11/Vicor-Bobby-Soots-Walking-with-the-blues.mp3<a href= »http://www.bopping.org/wp-content/uploads/2013/11/Vicor-Bobby-Soots-Walking-with-the-blues.mp3″ target= »_blank »>download
Gene Krupa (Bobby Soots, vocalist), « Panhandle rag » http://www.bopping.org/wp-content/uploads/2013/11/RCA-bobby-soots-panhandle-rag.mp3download
Bobby Soots, « Bad, bad whiskey » (Mercury 6326) http://www.bopping.org/wp-content/uploads/2013/11/Mercury-6326-Bobby-Soots-Bad-bad-whiskey.mp3download
Bobby Soots, « (Help me lose the) Boogie woogie blues » (Mercury 6331) http://www.bopping.org/wp-content/uploads/2013/11/mercury-6331-bobby-soots-help-me-lose-the-boogie-woogie-blues.mp3download
Bobby Soots, « I’m crying » http://www.bopping.org/wp-content/uploads/2013/11/Mercury-6326-Bobby-Soots-Im-cryin.mp3download
Bobby Soots, « Have you forgotten my name » http://www.bopping.org/wp-content/uploads/2013/11/mercury-6331-bobby-soots-have-you-forgotten-my-name.mp3download
Bobby Soots solo discography:
(vo) with instrumental accompaniment: g, rh. g, p, steel, str.b.. Poss. Chicago, circa Feb. 1951
7208 Bad, bad whiskey Mercury 6326
7209 Fiddle boogie unissued
7210 I’m cryin’ Mercury 6326
7211 A thousand times too many unissued
(vo) with fiddle, piano, rh. gtr, g, steel, str.b. circa September/october 1951
7232 Help me lose the boogie boogie blues Mercuy 6331
7233 Goin’, goin’, gone unissued
7234 Lots of nothin’ -
7235 Have you forgotten my name Mercury 6331
Source: Internet for the Gene Krupa records, Bobby Soots photograph and Billboard snippets. Thanks to Ronald Keppner for scan/mp3 of Mercury 6326. Discographical details from Michel Ruppli’s « Mercury label » vol. 1.